I recently went to an architecture exhibition which featured the works of Félix Candela featured in the Kukuruchos Gallery in Guadalajara, Jalisco, Mexico. As I walked around the exhibition I observed the superb minimalistic tone that surrounded Candela’s wonderful work. I am particularly drawn to the 1950’s and 1960’s era due to the superb simplicity in design found in architecture, interior design and fashion. It was a great surprise to discover Felix Candela’s arquitectural style. 
The introduction specifies Félix Candela Outeriño being born in Madrid on January 27, 1910. Candela graduated from the Architecture University, in the Capitol City of Spain. In 1939, Candela was exiled from Spain for voluntarily participating in the republican army during the Spanish Civil War and settled in Mexico. Ten years after his arrival in Mexico Candela founded the firm “Cubiertas Alas”, where he would design the shell buildings that brought him world fame.
Candela’s work is based on three premises: economical, minimalistic, and flexibility. Although his fundamentals were basic, the more Candela worked on the geographical design of the shell buildings, the more he mastered the elaborate yet elegant look of the buildings. These intricate designs led him to technological road blocks which he had to overcome.



Candela shook up the architecture world with his structures of layered reinforced concrete, better known as shell buildings, that came to life in Mexico and other countries in the 1950’s and 1960’s. The applied construction technique unused in Mexico originated in Europe.

“Stock Exchange Market”, Mexico City, 1955

“Palmira Chapel”, Lomas de Cuernavaca, Morelos, 1959

“Iglesia de la Virgen de la Medalla Milagrosa”, Benito Juárez, Mexico City, 1955

“Iglesia de Santa Mónica”, Benito Juárez, Mexico City, 1960
Candela was not the first nor the only one adapting the shell building structure, but he took great advantage of the geometric technique to leave a stamp in the world of architecture in the 20th century. His greatest achievements were “El Pabellón de Ráyos Cosmicos” in the University of México (UNAM), constructed in 1951:

And, “El Palacio de los Deportes”, built for the 1968 Olympic Games which were held in Mexico. Model seen here:

There seems to be a tone in this 1950’s and 60’s era that made me wonder what type of inspiration surrounded the artists of the time. Whether consciously or unconsciously artists look to their surroundings for inspirations; they must travel, admire art, or draw from personal inspirations to come up with a theme for their next project.
Meanwhile I looked around I couldn’t help but think of the designs of Hubert de Givenchy, Christian Dior and Cristóbal Balenciaga during the 50’s and 60’s era. Why? Well, take a look for your self.

Christian Dior (Source)

Cristóbal Balenciaga (Source)

Hubert de Givenchy (Source)

Cristóbal Balenciaga (Source)

Hubert de Givenchy (Source)

Cristóbal Balenciaga (Source)

Cristóbal Balenciaga (Source)

Cristóbal Balenciaga (Source)

Cristóbal Balenciaga (Source)
The designs of Givenchy, Dior and Balenciaga catapulted fashion icons Audrey Hepburn and Jackie Kennedy during the fifties and sixties era. Whatever the influences were of the fashion designers during this era, and which ever came first – the architecture or the fashion style – I have yet to witness such effortless elegance demonstrated in the pictures above.